A new exhibition examining the historical representation and shifting legacy of Black women in visual culture is on display at London’s Somerset House until September 24.
Curated by Aindrea Emelife, BLACK VENUS brings together the work of 18 Black women and non-binary artists to explore the othering, fetishisation and reclamation of narratives around Black femininity.
Ayana V. Jackson, Anarcha, 2017
BLACK VENUS celebrates and explores the many faces of Black femininity, with over 40 contemporary and primarily photographic artworks. The exhibition’s contemporary works offer a radical affront to a centuries-long dynamic of objectification, showcasing all that Black womanhood can be and has always been.
The exhibition explores and portrays the complex narratives surrounding Black womanhood through the lens of three archival depictions of Black women: the Hottentot Venus, the Sable Venus, and the Jezebel, dating between 1793 to 1930.
Delphine Diallo, ‘Highness Blue (Hybrid 1)’, 2011
These works serve to contextualise historical depictions of Black women and the caricaturing of the Black body. With these three thematic pillars, BLACK VENUS examines the shifting image of the Black woman in visual culture and the complex lived experience that informs the work of cross-generational women and non-binary artists today.
Participating artists include: Sonia Boyce, Widline Cadet, Shawanda Corbett, Renee Cox, Delphine Diallo, Ayana V Jackson, Zanele Muholi, Amber Pinkerton, Tabita Rezaire, Coreen Simpson, Lorna Simpson, Ming Smith, Maud Sulter, Kara Walker, Maxine Walker, Carrie Mae Weems, Alberta Whittle and Carla Williams.
Tickets are available direct from Somerset House here.
Header: Ming Smith, Grace on Motor Cycle, 1978 © Courtesy of the artist and Pippy Houldsworth Gallery, London.
