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Review: Caribou – Honey

Dan Snaith’s falsetto has become a defining part of Caribou’s sound since Andorra in 2007. Over the years, he’s evolved from barely-there vocals to a soulful, clear head voice, and on his last album, Suddenly, he gave us an unexpectedly vulnerable look into his personal life with themes of loss and heartache. Now, with Honey, Snaith takes a different route, fusing Caribou’s emotive elements with the dance-driven intensity of his Daphni project. The result is a blend of heartfelt lyrics and genre-spanning beats, making for an album that feels as suited to headphones as it does to a packed dance floor.

On tracks like Honey and Broke My Heart, we hear those upbeat, UK garage influences alongside Snaith’s signature falsetto, giving the songs a fresh, almost genre-bending appeal. Only You is a standout love ballad that veers into pop territory, while Got To Change throws back to Caribou’s festival anthems with its ecstatic crescendo. The album also experiments with AI-modified vocals, which lend an ethereal quality to tracks like Dear Life and Come Find Me, though at times it feels like Snaith might be distancing himself a bit too much from the more personal touch we loved on Suddenly.

As Honey unfolds, the emotional intensity ramps up. Campfire builds with layers of swirling synths and textures, creating a cascade of sound that feels like a chase scene. The funky disco vibes of Over Now close out the album with a splash of euphoria, showing that even when Snaith leans heavily into the beats, he still knows how to spin an infectious melody. Honey is a playful, energetic ride that explores both the euphoric highs and introspective lows of Caribou’s sound, serving up a blend that’s part dance party, part soul search, and all Caribou.

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