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Blondshell | If You Asked For a Picture

Blondshell’s If You Asked for a Picture plays like a coming-of-age novel rewritten through fuzz pedals and emotional bruises—an album steeped in reflection but edged with sharp, unflinching honesty. On her second full-length, Sabrina Teitelbaum traces the chaos of mid-20s life with clarity and contradiction, wielding a sound indebted to ’90s alt-rock but textured enough to feel resolutely her own.

Borrowing its title from Mary Oliver’s poem Dogfish, the album orbits themes of transformation: the yearning to shed the past, the uneasy push-pull between independence and emotional dependency, and the messy business of growing up. Two years after her searing self-titled debut as Blondshell, Teitelbaum returns more assured but still weathered—scars intact, stories sharper.

Opening track Thumbtack sets the tone: delicate fingerpicking gives way to fuller, layered production, mirroring how a seemingly simple feeling can snowball into a tangle of emotion. Throughout the album, she and producer Yves Rothman sculpt swirling arrangements that shimmer with dream-pop grace, yet remain grounded in raw, lo-fi grit. It’s a sound that lets vulnerability breathe while amplifying its impact.

Much of If You Asked for a Picture delves into the dysfunction of romantic entanglements, casting a cold light on questionable partners and ill-advised decisions. On He Wants Me, she deadpans, “I’ll stick with you, ’cause I like sleeping well,” and on Man, the line “a lot of wiggle room” becomes both an excuse and an indictment. These are relationships marked by codependency, resignation, and the aching hope for something better—even if she’s not sure what that is.

Yet it’s when Teitelbaum reaches beyond romantic tropes that the record strikes its most resonant notes. What’s Fair and 23’s A Baby explore her fraught relationship with her late mother with striking frankness. “You’d want me to be famous, so you could live by proxy,” she sings, before turning the knife inward with “You know that I still need you.” These moments are devastating in their simplicity, delivered in Teitelbaum’s characteristic near-monotone, a vocal style that cuts through the album’s lush sonics with brutal precision.

Event of a Fire stands out as the record’s emotional and musical apex—a spiralling journey through memory, regret, and self-realisation. Revisiting a pivotal year in her adolescence, Teitelbaum conjures a cinematic swirl of shame, drug-fuelled nights and adolescent missteps, all set against a backdrop of slow-building guitars that pull from indie rock, grunge, and slowcore.

But this isn’t a record mired in misery. Even at its darkest, If You Asked for a Picture pulses with melody and momentum. The infectious T&A channels classic Stones swagger to narrate a romance that’s knowingly doomed, while Model Rockets closes the album with a wistful kind of hope. “The problem is I don’t know what I want anymore,” she sings—but the surrounding music suggests she’s getting closer to figuring it out.

If Blondshell was the sound of an artist emerging from the fog, If You Asked for a Picture is her stepping into the light—squinting, bruised, but bold. It’s a record that doesn’t pretend to have the answers, but knows exactly how to make the questions sing.

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